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Proust, the Body and Literary Form

£32.99

Part of Cambridge Studies in French

  • Date Published: November 2006
  • availability: Available
  • format: Paperback
  • isbn: 9780521027540

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About the Authors
  • This 1999 study examines the connections between Proust's fin-de-siècle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of earlier writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers. Finn argues that once Proust cast off his concerns about being a nervous weakling he was freed to poke fun both at the supposed purity of the novel form. Hysteria - as a figure and as a theme - becomes a key to the Proustian narrative, and a certain kind of wordless, bodily copying of gesture and event is revealed to be at the heart of a writing technique which undermines many of the conventions of fiction.

    • Exciting angle on Proust's thinking and writing
    • Revealing exploration of late nineteenth-century French medical and psychological texts, in a literary context
    • Broad coverage (putting Proust into his literary and cultural context) and accessible style
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    Reviews & endorsements

    'Finn has given us a splendid book.' Nineteenth-Century French Studies

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    Product details

    • Date Published: November 2006
    • format: Paperback
    • isbn: 9780521027540
    • length: 228 pages
    • dimensions: 228 x 152 x 16 mm
    • weight: 0.354kg
    • availability: Available
  • Table of Contents

    Acknowledgements
    Abbreviations
    Introduction
    1. Proust between neurasthenia and hysteria
    2. An anxiety of language
    3. Transitive writing
    4. Form: from anxiety to play
    Conclusion
    Notes
    Bibliography
    Index.

  • Author

    Michael R. Finn, Ryerson Polytechnic University, Toronto

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