Bach Studies

Table of Contents

Part I. Magnificat, Cantata and Passion:
1. On the origin of Bach's Magnificat: a Lutheran composer's challenge Robert L. Marshall
2. Expressivity in the accompanied recitatives of Bach's cantatas George J. Buelow
3. Aria forms in the Cantatas from Bach's first Leipzig Jahrgang Stephen A. Criss
4. The regulative and generative roles of verse in Bach's 'thematic' invention Paul Brainard
5. The St John Passion: theology and musical stricture Eric T Chafe
Part II. Parody and genre:
6. Bach's parody technique and its frontiers Alfred Mann
7. Three organ-trio transcriptions from the Bach circle: keys to a lost Bach chamber work Russell Stinson
8. 'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903 George B. Stauffer
9. French overture conventions in the hands of the young Bach and Handel Peter Williams
Part III. The Well-Tempered Clavier I and II:
10. The four conceptual stages of the Fugue in C Minor, WTC I Brick Siegele
11. The genesis of the Prelude in C Major, BWV 870 James A. Brokaw II
12. Reconstructing the Urpartitur for WTC II: a study of the "London autograph" (BL Add. MS 35021) Don O. Franklin
Part IV. Transmission and reception: Bach in the eighteenth century Ludwig Finscher
13. Tradition as authority and provocation: Anton Weburn's confrontation with Johann Sebastian Bach Martin Zenck
14. The human side of the American Bach sources Gerhard Herz.