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Dante and Difference
Writing in the 'Commedia'

£36.99

Part of Cambridge Studies in Medieval Literature

  • Date Published: November 2007
  • availability: Available
  • format: Paperback
  • isbn: 9780521044622

£ 36.99
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About the Authors
  • This book presents an interesting approach to Dante's Divine Comedy, drawing on medieval theories of reading and understanding a text, and comparing them with modern critical theories of hermeneutics and approaches to the text associated with the work of Derrida. Dr Tambling rejects any attempt to identify a fundamental unity of thought in the poem and stresses the importance of opposition and divergence. This leads him to react against reductively 'allegorical' readings, and to ask in what way Christianity can be said to be articulated within the work. This important interpretation will be of value to all students and scholars of Dante, as well as to those whose work lies in the fields of general medieval literature, comparative literature and critical theory.

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    Product details

    • Date Published: November 2007
    • format: Paperback
    • isbn: 9780521044622
    • length: 220 pages
    • dimensions: 228 x 152 x 15 mm
    • weight: 0.337kg
    • availability: Available
  • Table of Contents

    Acknowledgements
    Introduction: Dante and difference
    Part I. The First Book: The Pagan World:
    1. Ulysses: Virgil: Dante
    2. The eye of the eagle
    Part II. Writing and Re-Writing in the Poem:
    3. 'Si dentro impertrai': crisis of language in the Commedia
    4. 'Ch'e' ditta dentro': art and the imagination in the Purgatorio
    Part III. The Book of Memory and its Several Incipits:
    5. Attitudes to language in Dante
    Conclusion: making meanings
    Notes
    Select bibliography
    Index to Dante's works
    Index of names.

  • Author

    Jeremy Tambling

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