Jean-Luc Godard's Pierrot le Fou
$19.99 (G)
Part of Cambridge Film Handbooks
- Editor: David Wills, State University of New York, Albany
- Date Published: April 2000
- availability: Available
- format: Paperback
- isbn: 9780521574891
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19.99
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Paperback
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Jean-Luc Godard's Pierrot le fou (1965), made at the height of the French New Wave, remains a milestone in French cinema. More accessible than his later films, it represents the diverse facets of Godard's concerns and themes: a bittersweet analysis of male-female relations; an interrogation of the image; personal and international politics; the existential dilemmas of consumer society. This volume brings together essays by five prominent scholars of French film. They approach Pierrot le fou from the perspectives of image-and-word-play, aesthetics and politics, history, and high- and popular culture. A full filmography and a selection of reviews are included.
Read more- The first French and first New Wave film represented in the Film Handbooks series
- Filmography and black and white stills
- Importance of the film to debates concerning popular culture and the technologization/digitalization of the image
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×Product details
- Date Published: April 2000
- format: Paperback
- isbn: 9780521574891
- length: 208 pages
- dimensions: 229 x 152 x 12 mm
- weight: 0.31kg
- contains: 18 b/w illus.
- availability: Available
Table of Contents
Introduction: oui, bien sûr … oui bien sûr David Wills
1. The imaginary element: life + cinema Richard Dienst
2. Pierrot in context(s) Alan Williams
3. Godard's tricolor Jean-Louis Leutrat
4. Language gone mad Tom Conley
5. Pierrot le fou and post-new wave French cinema Jill Forbes.
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