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Look Inside Symbolist Aesthetics and Early Abstract Art

Symbolist Aesthetics and Early Abstract Art
Sites of Imaginary Space

$48.99 (C)

Part of Cambridge Studies in French

  • Date Published: February 2005
  • availability: Available
  • format: Paperback
  • isbn: 9780521619356

$ 48.99 (C)
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About the Authors
  • This book presents an innovative analysis of the role of imagination as a central concept in both literary and art criticism. Dee Reynolds brings this approach to bear on works by Rimbaud, Mallarmé, Kandinsky, and Mondrian. It allows her to redefine the relationship between Symbolism and abstract art, and to contribute new methodological perspectives to comparative studies of poetry and painting. The late nineteenth and early twentieth century was a crucial period in the emergence of new modes of representation, and is currently at the forefront of critical enquiry. This is the first book to examine Symbolism and abstraction in this way, and the first to treat these poets and painters together. It is an original contribution to interdisciplinary scholarship in art history, literary history, and comparative aesthetics.

    • Interdisciplinary studies of art and literature are a growth area, and several such books have done well in recent years
    • The turn of the nineteenth and twentieth centuries was a crucial period in the emergence of new modes of representation
    • Reynolds examines key figures including Rimbaud, Mallarmé, Mondrian, and Kandinsky
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    Product details

    • Date Published: February 2005
    • format: Paperback
    • isbn: 9780521619356
    • length: 312 pages
    • dimensions: 247 x 190 x 17 mm
    • weight: 0.554kg
    • contains: 25 b/w illus.
    • availability: Available
  • Table of Contents

    List of illustrations
    Preface
    Acknowledgements
    List of abbreviations
    Introduction
    1. Imagination and imaginary space
    2. Verbal hallucination: Rimbaud's poetics of rhythm
    3. Reflections in black and white: Mallarmé and the act of writing
    4. Putting the spectator in the picture: Kandinsky's pictorial world
    5. Between the lines: form and transformation in Mondrian
    6. Universal exceptions: sites of imaginary space
    Conclusion
    Notes
    Select Bibliography
    Index.

  • Author

    Dee Reynolds, University of Bristol

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