Harmony
Its Theory and Practice

Table of Contents

Preface to the first edition
Preface to the sixteenth edition
1. Introduction
2. Key, or tonality
3. The general laws of part-writing
4. The diatonic triads of the major key
5. The diatonic triads of the major key (continued)
6. The inversions of the triads of a major key
7. The minor key: its diatonic triads and their inversions
8. The chord of the dominant seventh
9. Key relationships - modulation to nearly related keys - false relations
10. Unessential discords (I) - auxiliary notes, passing notes, and anticipation
11. Unessential discords (II) - suspensions
12. The chord of the dominant ninth
13. The chord of the dominant eleventh
14. The chord of the dominant thirteenth
15. Chromatic triads - the chromatic scale
16. Chromatic chords of the seventh
17. Chromatic chords of the ninth - false notation - enharmonic modulation
18. Chromatic chords of the eleventh and thirteenth
19. The chord of the augmented sixth
20. Pedals
21. Harmony in fewer and more than four parts
Appendix A. The ecclesiastical modes
Appendix B. The harmonic series
Analytical key to the exercises in the sixteenth and subsequent editions of Harmony: Its Theory and Practice.

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