Mozart: The 'Jupiter' Symphony
Part of Cambridge Music Handbooks
- Author: Elaine R. Sisman, Columbia University, New York
- Date Published: March 2011
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
- format: Adobe eBook Reader
- isbn: 9780511878558
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This guide to Mozart's last and most celebrated symphony explores the historical background and aesthetic context of the work as well as the music itself. The early chapters examine the expectations of the symphony in Mozart's Vienna, Mozart's career in 1788 – the year of the three last symphonies - and the changing reception of the 'Jupiter' over the subsequent two hundred years. A separate chapter is then devoted to each movement of the symphony with musical discussion illuminated by a broad array of topics. Finally, a lucid exposition of rhetoric reveals the connections between elevated and learned styles and the sublime, enabling the reader to grasp the effect Mozart's music had upon his contemporaries.
Read more- The 'Jupiter' was Mozart's last and possibly most famous symphony
- This is the first full-length guide to the work
- Full background is provided to the symphony in Mozart's Vienna plus a lively account of each individual movement
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×Product details
- Date Published: March 2011
- format: Adobe eBook Reader
- isbn: 9780511878558
- contains: 8 tables 14 music examples
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
Table of Contents
Preface
1. The symphony in Mozart's Vienna
2. Grand style and sublime in eighteenth-century aesthetics
3. The composition and reception of the Jupiter Symphony
4. Gesture and expectation: Allegro vivace
5. Structure and expression: Andante cantabile
6. Phrase rhythm: Menuetto, Allegretto
7. The rhetoric of the learned style: Finale, molto allegro
Appendix: A. Oulibicheff, The Jupiter Symphony of Mozart (1843).
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