Wordsworth Writing

"Intriguing, specific criticism that takes its time with the readings, and opens out new critical possibilities....this is a provocative work that makes us think again about familiar material, and which thereby opens up the possibilities of new grounds for critical debate."
-Jonathan Roberts, The Review of English Studies

"Andrew Bennett’s book, with its intelligent interweaving of French deconstructive theory and thoroughly British empirical scholarship potentially offers a new way forward, not only for Wordsworth, but for Romanticism... It is to be hoped that his book marks a turn in Wordsworth studies and that, in the same year as the first long phase of major editorial effort finally came to an end (with the completion of the Cornell series), a second phase of full critical and theoretical analysis of those materials has begun."
-Sally Bushell, Romanticism

"Bennett implicitly raises significant questions about the poet’s psyche...we glimpse new understandings of the possible workings of Wordsworth’s brave but brooding soul."
-Beth Darlington, Journal of British Studies

"The whole book is carried off with the dark charisma that distinguishes the best examples of the deconstructive method; and its appearance in the Cambridge series feels quietly momentous... it is good to read something that goes about things differently – and which grows, too, from so shrewd and keen an attention to the perplexed vitality of Wordsworth’s language" -
-Seamus Perry, The Wordsworth Circle