Skip to content
Register Sign in Wishlist

The Cambridge Companion to the Harpsichord

$34.99 (P)

Part of Cambridge Companions to Music

John Koster, Pieter Dirksen, Andrew Woolley, Ton Koopman, Mark Kroll, Rebecca Cypess, João Pedro d'Alvarenga, Águeda Pedrero-Encabo, Marina Ritzarev, Anna Maria McElwain, Pedro Persone, Robert L. Marshal, Larry Palmer, Paul Poletti
View all contributors
  • Date Published: February 2019
  • availability: Available
  • format: Paperback
  • isbn: 9781316609705

$ 34.99 (P)
Paperback

Add to cart Add to wishlist

Other available formats:
Hardback, eBook


Looking for an examination copy?

This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact [email protected] providing details of the course you are teaching.

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.

    • The authoritative guide to the harpsichord and its music from the Renaissance to the present
    • Features a timeline, guide to further reading, numerous illustrations and musical examples, and an appendix listing composers, reliable editions and original sources
    • Showcases the rich diversity of instruments, repertoire and performance styles throughout Great Britain, Continental Europe, Russia, the Nordic and Baltic countries, and South America
    Read more

    Reviews & endorsements

    ‘This book is a valuable addition to the existing literature on this subject, to be commended to every harpsichord student or aficionado.’ Thérèse de Goede, Early Music

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Date Published: February 2019
    • format: Paperback
    • isbn: 9781316609705
    • length: 406 pages
    • dimensions: 245 x 173 x 18 mm
    • weight: 0.8kg
    • contains: 14 b/w illus. 40 music examples
    • availability: Available
  • Table of Contents

    Introduction
    1. History and construction of the harpsichord John Koster
    2. The Virginalists Pieter Dirksen
    3. England Andrew Woolley
    4. The Netherlands and Northern Germany Ton Koopman
    5. Southern Germany and the Austro-Hungarian Empire to 1750 Pieter Dirksen
    6. France Mark Kroll
    7. Italy Rebecca Cypess
    8. Portugal João Pedro d'Alvarenga
    9. Spain Águeda Pedrero-Encabo
    10. Domenico Scarlatti in Portugal and Spain João Pedro d'Alvarenga and Águeda Pedrero-Encabo
    11. Russia Marina Ritzarev
    12. The Nordic and Baltic countries Anna Maria McElwain
    13. The harpsichord in colonial Spanish and Portuguese America Pedro Persone
    14. Bach, Handel and the harpsichord Robert L. Marshall
    15. The harpsichord in ensemble Mark Kroll
    16. Contemporary harpsichord music Larry Palmer
    17. Tuning and temperament Paul Poletti.

  • Resources for

    The Cambridge Companion to the Harpsichord

    General Resources

    Find resources associated with this title

    Type Name Unlocked * Format Size

    Showing of

    Back to top

    This title is supported by one or more locked resources. Access to locked resources is granted exclusively by Cambridge University Press to instructors whose faculty status has been verified. To gain access to locked resources, instructors should sign in to or register for a Cambridge user account.

    Please use locked resources responsibly and exercise your professional discretion when choosing how you share these materials with your students. Other instructors may wish to use locked resources for assessment purposes and their usefulness is undermined when the source files (for example, solution manuals or test banks) are shared online or via social networks.

    Supplementary resources are subject to copyright. Instructors are permitted to view, print or download these resources for use in their teaching, but may not change them or use them for commercial gain.

    If you are having problems accessing these resources please contact [email protected].

  • Editor

    Mark Kroll, Boston University
    Mark Kroll's distinguished career as a performer, scholar and educator spans a period of more than fifty years. He has appeared worldwide as a harpsichordist and fortepianist, published four books, made numerous recordings, and is Professor emeritus at Boston University, where he served for twenty-five years as Professor of Harpsichord and Chair of the Department of Historical Performance. He is currently recording the complete Pièces de clavecin of François Couperin.

    Contributors

    John Koster, Pieter Dirksen, Andrew Woolley, Ton Koopman, Mark Kroll, Rebecca Cypess, João Pedro d'Alvarenga, Águeda Pedrero-Encabo, Marina Ritzarev, Anna Maria McElwain, Pedro Persone, Robert L. Marshal, Larry Palmer, Paul Poletti

Related Books

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email [email protected]

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon
×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×