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Shelley and the Revolutionary Sublime

Part of Cambridge Studies in Romanticism

  • Author: Cian Duffy, St Mary's College, Strawberry Hill
  • Date Published: June 2009
  • availability: Available
  • format: Paperback
  • isbn: 9780521111836

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  • A major new study of Percy Shelley's intellectual life and poetic career, Shelley and the Revolutionary Sublime identifies Shelley's fascination with sublime natural phenomena as a key element in his understanding of the way ideas like 'nature' and 'imagination' informed the social and political structures of the Romantic period. Offering a genuinely fresh set of perspectives on Shelley's texts and contexts, Cian Duffy argues that Shelley's engagement with the British and French discourse on the sublime had a profound influence on his writing about political change in that age of revolutionary crisis. Examining Shelley's extensive use of sublime imagery and metaphor, Duffy offers not only a substantial reassessment of Shelley's work but also a significant re-appraisal of the role of the sublime in the cultural history of Britain during the Romantic period.

    Reviews & endorsements

    'Cian Duffy's book is important for its refutation of the popularly held belief that Shelley's early materialism gave way to a Berkeleyan idealism … its correction of the conventional view that Kant is the source of Shelley's responses to the sublime … impressive … in its relation of canonical to marginal texts … as well as its highly persuasive extended readings of these texts. Duffy's accessible style allows Shelley's ideas to be seen clearly.' The Times Literary Supplement

    '… [a] scrupulously argued and impressively researched monograph.' Bars Bulletin & Review

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    Product details

    • Date Published: June 2009
    • format: Paperback
    • isbn: 9780521111836
    • length: 280 pages
    • dimensions: 229 x 152 x 16 mm
    • weight: 0.41kg
    • availability: Available
  • Table of Contents

    Introduction: approaching the Shelleyan sublime
    1. From religion to revolution, 1810–13
    2. Cultivating the imagination, 1813–15
    3. Mont Blanc and the Alps, 1816
    4. Writing the revolution: Laon and Cynthia, 1817–23
    5. 'Choose reform or civil war', 1818–19
    Conclusion: 'Good and the means of good', 1822
    Notes
    Bibliography
    Index.

  • Author

    Cian Duffy, St Mary's College, Strawberry Hill
    Cian Duffy is a Postdoctoral Research Fellow in the Centre for Eighteenth-Century Studies at the University of York.

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