The Cambridge Companion to Operetta

Editors

Anastasia Belina, University of Leeds
Anastasia Belina is Senior Research Fellow at the University of Leeds. She is author and editor of A Musician Divided (2013), Die tägliche Mühe ein Mensch zu sein (2013), Wagner in Russia, Poland and the Czech Lands (2013, co-edited edition), and The Business of Opera (edited with Derek B. Scott, 2015). Between 2014 and 2019 she researched the reception of German operetta in Warsaw as part of a European Research Council funded project. She is currently working on the BBC and Arts and Humanities Research Council (AHRC) project Forgotten Female Composers for which she is researching the life and work of Augusta Holmès.

Derek B. Scott, University of Leeds
Derek B. Scott is Professor of Critical Musicology at the University of Leeds. His books include Sounds of the Metropolis (2008), and Musical Style and Social Meaning (2010). His musical compositions include two symphonies for brass band and an operetta, Wilberforce. He has also worked professionally as a singer, actor and pianist in radio, TV, concert hall and theatre. In 2014, he was awarded an Advanced Grant by the European Research Council to fund a five-year project researching the twentieth-century reception of operettas from the German stage on Broadway and in the West End.

Contributors

Anastasia Belina, Derek B. Scott, John Kendrick, Lisa Feurzeig, Bruno Bower, Lynn Hooker, Jan Smaczy, Stefan Frey, Christopher Webber, Raymond Knapp, Pentti Paavolainen, Avra Xepapadakou, Micaela Baranello, Tobias Becker, Valeria De Lucca, Matthias Kauffmann