The Cambridge History of Nineteenth-Century Music
Part of The Cambridge History of Music
- Editor: Jim Samson, Royal Holloway, University of London
- Date Published: November 2014
- availability: Available
- format: Paperback
- isbn: 9781107679948
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The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
Read more- A new approach to nineteenth-century music
- Written in an accessible style with no technical analysis or music examples
- Detailed chronology and glossaries make superb reference material for students
Reviews & endorsements
"...highly recommended to advanced students, scholars, and (fairly sophisticated) readers in general. With its interesting viewpoints and wealth of information, it will make a valuable addition to the bibliography of surveys of the period." Journal of Musicological Research
See more reviews"After more than three decades of discovery and controversy about Western at music of the 19th century, Samson ... has put together a collection that articulates contemporary understanding of that era's major issues.... Bringing together material heretofore dispersed in journals and hard-to-find collections, this volume is recommended for academic, professional, and public collections at all levels." Choice
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×Product details
- Date Published: November 2014
- format: Paperback
- isbn: 9781107679948
- length: 785 pages
- dimensions: 227 x 152 x 34 mm
- weight: 1.24kg
- availability: Available
Table of Contents
Chronology
Part I. 1800–1850:
1. The musical work and nineteenth-century history Jim Samson
2. Music and the rise of aesthetics Andrew Bowie
3. The profession of music John Rink
4. The opera industry Roger Parker
5. The construction of Beethoven K. M. Knittel
6. Music and the poetic Julian Rushton
7. The invention of tradition John Irving
8. Choral music John Butt
9. The consumption of music Derek Carew
10. The great composer Jim Samson
Part II. 1850–1900:
11. Progress, modernity, and the concept of an avant-garde John Williamson
12. Music as ideal: the aesthetics of autonomy Max Paddison
13. The structures of musical life Katharine Ellis
14. Opera and music drama Thomas Grey
15. Beethoven reception: the symphonic tradition James Hepokoski
16. Words and music in France and Germany Susan Youens
17. Chamber music and piano Jonathan Dunsby
18. Choral culture and the regeneration of the organ John Butt
19. Music and social class Derek B. Scott
20. Nations and nationalism Jim Samson
21. Styles and languages around the turn of the century Anthony Pople.
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