Rediscovering Stanislavsky

‘Maria Shevtsova's book is astonishing. Her views on Russian theatre and on European theatre in general, and on Stanislavsky in particular, are always fascinating. But in her latest book she has surpassed herself. Professor Shevtsova gives a breathtaking account and elucidations of so many aspects of Stanislavsky's work, which are so often imprisoned in theories caged in other theories, or are simply not understood. Others are just not known. To hear about the transgressive aspects of his philosophy is invigorating. Professor Shevtsova's comprehensive coverage of his work manages both to locate him in the context of his times while also liberating his spirit so that he can be appreciated in his epic universality. A tour de force.' Declan Donnellan

‘Rediscovering Stanislavsky is a magisterial event in the theatre world. It is a unique attempt in international theatre studies to revisit the theory, experience and legacy of Stanislavsky, not only in the context of Russian thought but also of thought universally shared within the context of theatre practice. The author brings essential clarity to Stanislavsky’s terms and ideas based on her exploration of their semantics and origins, without which it is impossible to grasp the very core of Stanislavsky’s system and its method. This book gives an enormous intellectual and creative impulse to all those who are searching for new forms in contemporary theatre - actors, directors, theoreticians. Maria Shevtsova’s book is superbly written, full of discoveries, insights and genuine inspiration.’ Alexander Chepurov, Russian State Institute of Scenic Arts, St Petersburg

‘… the book is an impressive, comprehensive, and significant contribution to our understanding of the greatest acting teacher the world has ever known.’ David Krasner, Theatre Topics

‘This book is an outstanding contribution to this rethinking and is essential reading for theatre and performer-training scholars, practitioners, and students.’ Rose Whyman, NTQ Book Reviews

‘This is a brilliant, inspiring and stimulating book … It will be of use to scholars and teachers everywhere but, more important, it is an enlightening, encouraging, and hugely valuable resource for all who are attempting to practise the theatre arts, particularly of acting and directing, in similar times of adversity.’ John Gillett, Stanislavski Studies

‘… excellent …’ Laurence Senelick, TDR Reviews

‘… this is a most useful book showing that Stanislavsky was himself even more complicated than we previously have been led to believe. Shevstova suggests we oversimplify him at our intellectual peril, and this book provides genuine context for that view, contexts that continually reward the reader. In Shevstova’s hands, we are introduced to a full human being, one we will want to re-visit often.’ Nathan Thomas, Critical Stages

‘… a most useful book.’ The IATC journal

‘Maria Shevtsova, an indefatigable polymath of current Western theater practice, is perhaps the world’s foremost chronicler of contemporary avant- garde stage directors … Maria Shevtsova’s extraordinary Rediscovering Stanislavsky has come along at the right time.’ David Chambers, Theater