The Enigma of Gogol
An Examination of the Writings of N. V. Gogol and their Place in the Russian Literary Tradition
Part of Cambridge Studies in Russian Literature
- Author: Richard Peace
- Date Published: April 2009
- availability: Available
- format: Paperback
- isbn: 9780521110235
Paperback
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Gogol's place in Russian literature is unique. He is Russia's classic comic writer, yet the phrase 'laughter through tears', which has been applied to him, hints at darker and more tragic overtones. One of the most idiosyncratic of writers, his influence has nevertheless been profound. Appearing to shun psychological analysis, he is yet the father of the Russian psychological novel and originator (in his unfulfilled plans for Dead Souls) of the novel of spiritual regeneration brought to fruition by Tolstoy and Dostoevsky. A great innovator in his work for the theatre and widely hailed throughout the nineteenth century (and even today in the Soviet Union) as the exponent of a socially conscious literature championing the underdog, his work has been interpreted quite differently by the Formalist and many present-day Western critics who see the significance of his art residing in its manner, not its meaning. Surveying the complete oeuvre, Professor Peace argues that Gogol has, as a writer, close affinities with the Russian Middle Ages and that his ambiguous position in the great humanist tradition of nineteenth-century Russian literature springs from his attempts to come to terms with the cultural impact of Sentimentalism, and its later development Romanticism. Moreover, misunderstanding of Gogol has been further compounded by a contradiction in his work: on the one hand the striving for national significance and universality; on the other the treatment of art as a form of personal catharsis.
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- Date Published: April 2009
- format: Paperback
- isbn: 9780521110235
- length: 356 pages
- dimensions: 216 x 140 x 20 mm
- weight: 0.45kg
- availability: Available
Table of Contents
Introduction: Gogol and Russian humanism
Part I. Mirgorod
Part II. The St Petersburg Tales
Part III. Theatre
Part IV. The Carriage and Rome
Part V. Dead Souls
Conclusion: Art is a reconciliation with life
Appendices
Notes
Bibliographical table
Index.
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