Skip to content
Register Sign in Wishlist

Performing Operas for Mozart
Impresarios, Singers and Troupes

  • Date Published: December 2011
  • availability: Available
  • format: Hardback
  • isbn: 9781107014299

Hardback

Add to wishlist

Other available formats:
Paperback, eBook


Looking for an inspection copy?

Please email [email protected] to enquire about an inspection copy of this book

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • The Italian opera company in Prague managed by Pasquale Bondini and Domenico Guardasoni played a central role in promoting Mozart's operas during the final years of his life. Using a wide range of primary sources which include the superb collections of eighteenth-century opera posters and concert programmes in Leipzig and the Indice de' teatrali spettacoli, an almanac of Italian singers and dancers, this study examines the annual schedules, recruitment networks, casting policies and repertoire selections of this important company. Ian Woodfield shows how Italian-language performances of Figaro, Don Giovanni, Così fan tutte and La clemenza di Tito flourished along the well-known cultural axis linking Prague in Bohemia to Dresden and Leipzig in Saxony. The important part played by concert performances of operatic arias in the early reception of Mozart's works is also discussed and new information is presented about the reception of Josepha Duschek and Mozart in Leipzig.

    • Presents an account of the organisational structures and artistic policies of the Prague opera company in the late eighteenth century, enriching our understanding of the context in which Mozart's operas were performed in Bohemia and Saxony
    • Provides documentary evidence on the reception of Mozart's music in Leipzig, contributing to a new interpretation of one of the most puzzling episodes in the composer's biography - his tour of 1789
    • Gives details of the personnel of the Prague company which gave the first performances of Don Giovanni and La clemenza di Tito
    Read more

    Reviews & endorsements

    'No less noticeable than (Woodfield's) scholarly rigour are many signs of his capacity for intriguing speculation and lateral thinking.' Early Music

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Date Published: December 2011
    • format: Hardback
    • isbn: 9781107014299
    • length: 290 pages
    • dimensions: 254 x 182 x 18 mm
    • weight: 0.75kg
    • contains: 16 b/w illus. 38 tables 1 music example
    • availability: Available
  • Table of Contents

    Introduction
    1. Pasquale Bondini
    2. Die Entführung aus dem Serail
    3. The Italian troupe in Prague
    4. The Prague Figaro
    5. The genesis of Don Giovanni
    6. The première of Don Giovanni
    7. The casting of Don Giovanni
    8. The Leipzig Don Giovanni
    9. The 1788 Prague Don Giovanni
    10. Mozart's music in Leipzig
    11. Josepha Duschek's Academy (22 April 1788)
    12. Mozart's Academy (12 May 1789)
    13. Guardasoni in Warsaw
    14. The première of La clemenza di Tito
    15. The Leipzig reception of the Da Ponte operas (1792–4)
    16. Guardasoni diversifies
    Conclusion
    Bibliography.

  • Author

    Ian Woodfield, Queen's University Belfast
    Ian Woodfield is Professor of Historical Musicology at Queen's University Belfast, where he teaches courses in notation, musical instruments and early repertoire. His books include Music of the Raj (2000), Opera and Drama (2002) and Mozart's Così fan tutte: A Compositional History (2008), which received the Mozart Society of America's second Marjorie Weston Emerson Award.

Related Books

also by this author

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email [email protected]

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon
×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×