Skip to content
Register Sign in Wishlist
Look Inside Benjamin Britten: Peter Grimes

Benjamin Britten: Peter Grimes

Part of Cambridge Opera Handbooks

E. M. Forster, Donald Mitchell, Philip Brett, Hans Keller, David Matthews, Benjamin Britten, Peter Pears, Desmond Shawe-Taylor, Edmund Wilson, J. W. Garbutt, Peter Garvie
View all contributors
  • Date Published: May 1983
  • availability: Available
  • format: Paperback
  • isbn: 9780521297165

Paperback

Add to wishlist

Looking for an inspection copy?

This title is not currently available for inspection. However, if you are interested in the title for your course we can consider offering an inspection copy. To register your interest please contact [email protected] providing details of the course you are teaching.

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • Benjamin Britten's Peter Grimes is one of the few operas of the last half-century to have gained a secure place in the repertory. Its appearance in 1945 shortly after the end of the war in Europe was a milestone in operatic history as well as in British music. But the origins of the work lie in the United States, where Britten and his friend Peter Pears (the first Grimes) spent the years 1939–42. In 1941 they read an evocative essay by the novelist E. M. Forster on the Suffolk poet George Crabbe (1754–1832); this precipitated Britten's decision to return to his native country, and sent them both to Crabbe's poem, The Borough, which gave them the idea for the plot they drafted together. This book opens with Forster's original essay and his later one on Crabbe and Peter Grimes. From there the reader can trace the history of the opera: in Donald Mitchell's annotated interview with the wife of the librettist, Montagu Slater; in Philip Brett's detailed study of the fascinating documents preserved in the Britten–Pears Library at Aldeburgh; and in his history of the work's stage presentation and critical reception. Hans Keller's remarkable synopsis, first printed in 1952, is complemented by a fine new analytical study by David Matthews of Act II scene 1, the crux of the opera.

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Date Published: May 1983
    • format: Paperback
    • isbn: 9780521297165
    • length: 232 pages
    • dimensions: 216 x 138 x 16 mm
    • weight: 0.29kg
    • availability: Available
  • Table of Contents

    Part I. History:
    1. Two essays on Crabbe E. M. Forster
    2. Montagu Slater (1902–1956): who was he? Donald Mitchell
    3. 'Fiery visions' (and revisions): Peter Grimes in progress Philip Brett
    4. Breaking the ice for British opera: Peter Grimes on stage Philip Brett
    Part II. Synopsis and Analysis:
    5. Peter Grimes: the story, the music not excluded Hans Keller
    6. Act II scene I: an examination of the music David Matthews
    Part III. Criticism:
    7. Introduction Benjamin Britten
    8. Neither a hero nor a villain Peter Pears
    9. Peter Grimes: a review of the first performance Desmond Shawe-Taylor
    10. An account of Peter Grimes from 'London in Midsummer' Edmund Wilson
    11. Music and motive in Peter Grimes J. W. Garbutt
    12. Plausible darkness: Peter Grimes after a quarter of a century Peter Garvie
    13. Britten and Grimes Philip Brett
    14. Postscript Philip Brett.

  • Author

    Philip Brett

    Contributors

    E. M. Forster, Donald Mitchell, Philip Brett, Hans Keller, David Matthews, Benjamin Britten, Peter Pears, Desmond Shawe-Taylor, Edmund Wilson, J. W. Garbutt, Peter Garvie

Related Books

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email [email protected]

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon
×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×