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The Philosophy of Music

The Philosophy of Music
Being the Substance of a Course of Lectures Delivered at the Royal Institution of Great Britain, in February and March 1877

£29.99

Part of Cambridge Library Collection - Music

  • Date Published: December 2011
  • availability: Available
  • format: Paperback
  • isbn: 9781108038782

£ 29.99
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About the Authors
  • The physics, or natural philosophy, of music has fascinated scholars and scientists since ancient times: from Pythagoras' concept of celestial harmony, to the work of Galileo, Mersenne, Euler and Ohm, culminating in the nineteenth century with Helmholtz's definitive work On the Sensations of Tone. William Pole (1814–1900) was a civil engineer and musicologist. He was elected a Fellow of the Royal Society in 1861 and was a founder member of the Royal Musical Association. First published in 1879, this work brings together his series of lectures on the theory of music, from the nature of sound to the physics of harmony, given in 1877 at the invitation of the Royal Institution. They were intended as an introduction to Helmholtz's research for the student or lay person, and include discussions of sound, scales, intervals, harmony and counterpoint (covering both historical and theoretical aspects), all illustrated with musical examples.

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    Product details

    • Date Published: December 2011
    • format: Paperback
    • isbn: 9781108038782
    • length: 346 pages
    • dimensions: 216 x 140 x 20 mm
    • weight: 0.44kg
    • availability: Available
  • Table of Contents

    Preface
    1. Introduction
    Part I. The Material of Music:
    2. The phenomena of sound in general
    3. Special characteristics of musical sounds
    4. Theoretical nature of the sounds of musical instruments
    Part II. Elementary Arrangements of the Material:
    5. General arrangement of musical sounds by steps or degrees
    6. Musical intervals
    7. History of the musical scale
    8. Theoretical nature of the diatonic scale in its ancient form
    9. The ancient modes
    10. Modern tonality
    11. The modern diatonic scale as influenced by harmony
    12. The chromatic scale - the scales of the minor mode
    13. Time - rhythm - form
    Part III. The Structure of Music:
    14. Melody
    15. Harmony. A. History
    16. Harmony continued. B. Theoretical rules and systems
    17. Harmony continued. C. Elementary combinations
    18. Harmony continued. D. Compound combinations - chords
    19. Harmony continued. D. Harmonic progressions
    20. Counterpoint
    21. Conclusion
    Appendix.

  • Author

    William Pole

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