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Walter Pater and the Beginnings of English Studies

£85.00

Part of Cambridge Studies in Nineteenth-Century Literature and Culture

Charles Martindale, Elizabeth Prettejohn, Kenneth Daley, Lene Østermark-Johansen, Fergus McGhee, Stefano Evangelista, Ross Wilson, Michael D Hurley, Scarlett Baron, Alex Wong, Kathryn Murphy, Luisa Calè, Charles W Mahoney, Stacey McDowell, Marcus Waithe, Stephen Bann
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  • Date Published: November 2023
  • availability: Available
  • format: Hardback
  • isbn: 9781108835893

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About the Authors
  • Walter Pater's significance for the institutionalization of English studies at British universities in the nineteenth century is often overlooked. Addressing the importance of his volume Appreciations (1889) in placing English literature in both a national and an international context, this book demonstrates the indebtedness of the English essay to the French tradition and brings together the classic, the Romantic, the English and the European. With essays on drama, prose, and poetry, from Shakespeare and Browne, to Lamb, Coleridge, Wordsworth and Pater's contemporaries Rossetti and Morris, Appreciations exemplifies ideals of aesthetic criticism formulated in Pater's first book, Studies in the History of the Renaissance (1873). Subjectivity pervades Pater's essays on the English authors, while bringing out their exceptional qualities in a manner reaching far into twentieth-century criticism. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

    • Enables researchers to acknowledge Walter Pater's significance for English literary criticism through in-depth studies of his major essays
    • Contextualizes the history of English Studies within the aesthetic movement, pointing out Walter Pater's significance in establishing English as an academic discipline
    • Places the beginnings of English Studies within a European context, making explicit the indebtedness of English literary criticism to a Continental tradition
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    Product details

    • Date Published: November 2023
    • format: Hardback
    • isbn: 9781108835893
    • length: 300 pages
    • dimensions: 235 x 159 x 23 mm
    • weight: 0.62kg
    • availability: Available
  • Table of Contents

    Preface
    Introduction: Pater and english literature Charles Martindale and Elizabeth Prettejohn
    Introduction to Part I: Part I. General:
    1. 'Of the true family of Montaigne': appreciations and the essay tradition in english literature Kenneth Daley
    2. Unravelling Pater's english poet: the imaginary portrait as criticism Lene Østermark-Johansen
    3. Pater's Montaigne and the selfish reader Fergus McGhee
    4. Studies in European literature: Pater's cosmopolitan criticism Stefano Evangelista
    5. The 'Postscript' Ross Wilson
    6. Form, matter, and metaphysics in Walter Pater's essay on 'Style' Michael D. Hurley
    7. Walter Pater, second-hand stylist Scarlett Baron
    Introduction to Part II: Part II. Individual authors: early moderns, romantics, contemporaries:
    8. Pater's Shakespeare Alex Wong
    9. Pater and the quaintness of seventeenth-century english prose Kathryn Murphy
    10. 'Spiritual Form': Walter Pater's encounters with William Blake Luisa Calè
    11. Pater on Coleridge and Wordsworth Charles W. Mahoney
    12. Walter Pater, Charles Lamb and 'the value of reserve' Stacey McDowell
    13. Poetry in dilution: Pater, Morris and the future of english Marcus Waithe
    14. Dante Gabriel Rossetti and his school Elizabeth Prettejohn
    Postscript Stephen Bann
    Walter Pater and english studies: a select bibliography
    Index.

  • Editors

    Charles Martindale, University of Bristol
    Charles Martindale is Professor of English and Related Literature at the University of York. He has published over a wide field, with particular emphasis on English-Classics literary relations, theoretical approaches to literature – in particular reception theory – and Kantian aesthetics and the importance of 'beauty'. He is the author of four books and editor or co-editor of fourteen collections.

    Elizabeth Prettejohn, University of York
    Elizabeth Prettejohn is Professor of History of Art at the University of York. Her recent research centres on relationships between the arts of past and present, explored in The Modernity of Ancient Sculpture (2012) and Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War (2017).

    Lene Østermark-Johansen, University of Copenhagen
    Lene Østermark-Johansen is Professor of English at the University of Copenhagen. She is the author of Walter Pater and the Language of Sculpture (2012) and of Walter Pater's European Imagination (2022). She has edited Pater's Imaginary Portraits for the Oxford Collected Works of Walter Pater (2019).

    Contributors

    Charles Martindale, Elizabeth Prettejohn, Kenneth Daley, Lene Østermark-Johansen, Fergus McGhee, Stefano Evangelista, Ross Wilson, Michael D Hurley, Scarlett Baron, Alex Wong, Kathryn Murphy, Luisa Calè, Charles W Mahoney, Stacey McDowell, Marcus Waithe, Stephen Bann

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