Skip to content
Register Sign in Wishlist

Benjamin Britten in Context

£26.99

Part of Composers in Context

Vicki P. Stroeher, Justin Vickers, Arnold Whittall, Nicholas Clark, Lucy Walker, Christopher Scheer, Philip Reed, Eric Saylor, Mervyn Cooke, Alison Garnham, Danielle Ward-Griffin, Vicki P. Stroeher, Julian Onderdonk, Kate Guthrie, Christopher Mark, Michael Burden, Alain Frogley, Arved Ashby, Cameron Pyke, Philip Rupprecht, Ian Patterson, Hanna Rochlitz, Kevin Salfen, Frances Spalding, Roger Vignoles, Thomas Schuttenhelm, Irene Morra, Charlotte de Mille, Matthias Range, Margaret Lane, J. P. E. Harper-Scott, Joanna Bullivant, Arnold Whittall
View all contributors
  • Date Published: May 2024
  • availability: Available
  • format: Paperback
  • isbn: 9781108721844

£ 26.99
Paperback

Add to cart Add to wishlist

Other available formats:
Hardback, eBook


Looking for an inspection copy?

This title is not currently available on inspection

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • Benjamin Britten, pianist, conductor, educator, composer of  a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.

    • Examines in depth the interaction between Benjamin Britten and his contemporaries, as well as the socio-cultural currents of his time
    • Puts forward inter-disciplinary and multi-disciplinary perspectives, shedding new light on Britten's multi-faceted career
    • Includes chapters from leading music scholars that explore the theory, performance and history behind Britten's works
    Read more

    Reviews & endorsements

    'informative and thought-provoking' Nigel Simeone, Gramophone

    'Highly recommended.' J. M. Edwards, Choice

    See more reviews

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Date Published: May 2024
    • format: Paperback
    • isbn: 9781108721844
    • length: 426 pages
    • dimensions: 229 x 152 x 22 mm
    • weight: 0.616kg
    • availability: Available
  • Table of Contents

    Prologue: Positioning Britten Vicki P. Stroeher and Justin Vickers
    Part I. The Britten Circle(S):
    1. Early mentors: The bridges, the Auden set, and the mayers of long Island Arnold Whittall
    2. Peter Pears Justin Vickers
    3. The open secret Nicholas Clark
    4. Britten's circle Lucy Walker
    5. Britten's musical assistants Christopher Scheer
    6. Britten's publishers as advance and rear guard Philip Reed
    Part II. British Musical Life:
    7. Composing in England Eric Saylor
    8. Britten and Film Mervyn Cooke
    9. Britten and the radio Alison Garnham
    10. Television and the composer Danielle Ward-Griffin
    11. Music critics and the press Philip Reed and Vicki P. Stroeher
    12. Britten and English opera: Myths and a (Chequered) history Mervyn Cooke
    13. Festival culture in the British Isles Justin Vickers
    14. Concert life in Britain Philip Reed
    15. Benjamin Britten and folksong Julian Onderdonk
    16. Educating the Nation: Britten's music for young people Kate Guthrie
    Part III. Britten and Other Composers:
    17. The compositional context: creating a voice Christopher Mark
    18. Responding to a British musical past Michael Burden
    19. Britten and the English musical renaissance Alain Frogley
    20. Responding to the continent Arved Ashby
    21. An English tradition? Christopher Mark
    22.'An exciting time with all Russians': Anglo-Soviet musical contacts Cameron Pyke
    23. The Avant-Garde Philip Rupprecht
    Part IV. Wordsmiths, Designers, and Performers:
    24. W. H. Auden Vicki P. Stroeher
    25. Eric Crozier Justin Vickers
    26. Two librettists: Montagu slater and Ronald Duncan Ian Patterson
    27. The wise, queer heart of Englishness: E. M. Forster Hanna Rochlitz
    28.William Plomer's poetics of exile at home Kevin Salfen
    29.'Don't colour them, the music will do that': Myfanwy Piper and Britten's marriage of words and music Frances Spalding
    30. Designing and dancing Britten Kevin Salfen and Lucy Walker
    31.Pears as illuminator, interpreter, and inspiration Justin Vickers
    32. Britten's singers Roger Vignoles
    33. Britten's performers: those most 'Instrumental' Thomas Schuttenhelm
    Part V. British Socio-Cultural, Religious, and Political Life:
    34. English and British national identity in the Arts Irene Morra
    35. Britten's landscapes Charlotte de Mille
    36. Monarchy, royalty, and arts patronage Matthias Range
    37. Literary leanings Nicholas Clark
    38. Faith, spirituality, and the church Margaret Lane
    39. The politics of the closet J. P. E. Harper-Scott
    40. Communism, socialism, and pacifism in British politics: From the 1930s to the cold war Joanna Bullivant
    Epilogue: Britten's Legacy Arnold Whittall
    Topical bibliography for further reading
    Works cited
    Index.

  • Editors

    Vicki P Stroeher, Marshall University, West Virginia
    Vicki P. Stroeher is Professor of Music at Marshall University in Huntington, West Virginia. She is co-editor of My Beloved Man: The Letters of Benjamin Britten and Peter Pears (with Jude Brimmer and Nicholas Clark, 2016) which earned the 2017 C. B. Oldman Award and Benjamin Britten Studies: Essays on An Inexplicit Art (with Justin Vickers, 2017). She has also contributed to Literary Britten. Her current monograph project investigates Britten's interpretation of poetry in his songs and song cycles within a narratological framework.

    Justin Vickers, Illinois State University
    Justin Vickers is Professor of Music at Illinois State University. As a U.S. Fulbright Scholar to the United Kingdom, he is completing his first monograph The Aldeburgh Festival of Music and the Arts: A History of the Britten and Pears Era, 1948–1986, (forthcoming). He is co-editor of Benjamin Britten Studies: Essays on An Inexplicit Art (with Vicki P. Stroeher, 2017). He has contributed to The Sea in the British Musical Imagination (2016) and Literary Britten: Words and Music in Benjamin Britten's Vocal Works (2019). His additional research focuses on Britten's song and the creative process, Peter Pears, and the English Opera Group, among other mid-century British topics.

    Contributors

    Vicki P. Stroeher, Justin Vickers, Arnold Whittall, Nicholas Clark, Lucy Walker, Christopher Scheer, Philip Reed, Eric Saylor, Mervyn Cooke, Alison Garnham, Danielle Ward-Griffin, Vicki P. Stroeher, Julian Onderdonk, Kate Guthrie, Christopher Mark, Michael Burden, Alain Frogley, Arved Ashby, Cameron Pyke, Philip Rupprecht, Ian Patterson, Hanna Rochlitz, Kevin Salfen, Frances Spalding, Roger Vignoles, Thomas Schuttenhelm, Irene Morra, Charlotte de Mille, Matthias Range, Margaret Lane, J. P. E. Harper-Scott, Joanna Bullivant, Arnold Whittall

Related Books

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email [email protected]

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon
×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×