Skip to content
Register Sign in Wishlist
British Theatre between the Wars, 1918–1939

British Theatre between the Wars, 1918–1939

£43.99

Part of Cambridge Studies in Modern Theatre

Maggie B. Gale, Clive Barker, John Stokes, John Deeney, James Ross Moore, Tony Howard, Ros Merkin, Mick Wallis
View all contributors
  • Date Published: November 2007
  • availability: Available
  • format: Paperback
  • isbn: 9780521044509

£ 43.99
Paperback

Add to cart Add to wishlist

Other available formats:
Hardback


Looking for an inspection copy?

This title is not currently available on inspection

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • Histories of British theatre between 1918 and 1939 have tended to marginalize the commercial and mainstream in favour of the literary or the politically motivated. This volume brings together a collection of essays that reflect both a far more complex theatre world than this strategy has allowed for, and scholarship on mainstream and alternative theatres in the 1920s and 1930s. Combining the popular with the commercial, the book includes accounts of the craze for thriller and detective plays and musical comedy and revue, alongside analyses of historical pageantry and the development of politicized productions of Shakespeare. With assessments of the representation of gender and sexuality in the theatre, this volume not only unveils hitherto neglected theatre practices but also places them in the context of a society undergoing rapid social and cultural change. It will appeal to advanced undergraduates and postgraduates and scholars interested in twentieth-century British theatre.

    • Reveals a theatre culture more complex and contradictory than previous histories have allowed for
    • Initiates a long-overdue reassessment of mid-twentieth century British theatre cultures
    Read more

    Reviews & endorsements

    '… an excellent, assured, and suggestive collection of essays.' Contemporary Theatre Review

    'This anthology offers a diversity of approaches to the rich mix of the period's theatre making. I feel certain that it will, in addition, inspire readers to pull some hitherto neglected plays from their bookshelves and rediscover the richness of British drama between the wars.' Theatre Research International

    '… excellent collection … Each chapter offers an admirable overview supported by extracts from contemporary writings, either critical or dramatic, familiar or lost in time. The result is a vivid account not only of the drama on stage, but of the perceptions and preoccupations of the audience for which these dramas were written.' Modern Language Review

    See more reviews

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Date Published: November 2007
    • format: Paperback
    • isbn: 9780521044509
    • length: 272 pages
    • dimensions: 228 x 152 x 18 mm
    • weight: 0.413kg
    • contains: 7 b/w illus.
    • availability: Available
  • Table of Contents

    List of illustrations
    Notes on contributors
    Introduction Maggie B. Gale
    1. Theatre and society: the Edwardian legacy, the First World War and the inter-war years Clive Barker
    2. Body parts: the success of the thriller in the inter-war years John Stokes
    3. When men were men and women were women John Deeney
    4. Girl crazy: musicals and revue between the wars James Ross Moore
    5. Errant nymphs: women and the inter-war theatre Maggie B. Gale
    6. Blood on the bright young things: Shakespeare in the 1930s Tony Howard
    7. The religion of socialism or a pleasant Sunday afternoon?: The ILP Arts Guild Ros Merkin
    8. Delving the levels of memory and dressing up in the past Mick Wallis
    9. The ghosts of war: stage ghosts and time slips as a response to war Clive Barker
    Index.

  • Editors

    Clive Barker
    Clive Barker has had a long career combining practical work and academic teaching. His ideas on actor training were published as Theatre Games in 1977. He is co-editor of New Theatre Quarterly published by Cambridge University Press.

    Maggie B. Gale, University of Birmingham
    Maggie B. Gale is Senior Lecturer in Drama and Theatre Arts at the University of Birmingham. She is the author of West End Women; women on the London stage 1918-1962 (1996) and joint editor with Viv Gardner of Women, Theatre and Performance: New Histories, New Historiographies (2000).

    Contributors

    Maggie B. Gale, Clive Barker, John Stokes, John Deeney, James Ross Moore, Tony Howard, Ros Merkin, Mick Wallis

Related Books

also by this author

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email [email protected]

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon
×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×