The Musician in Literature in the Age of Bach
$120.00 (C)
- Author: Stephen Rose, Royal Holloway, University of London
- Date Published: March 2011
- availability: Available
- format: Hardback
- isbn: 9781107004283
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120.00
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Hardback
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Using novels and autobiographies from Bach's Germany, Stephen Rose suggests new ways of interpreting the lives and social status of musicians. The study focuses on satirical novels written by musicians that describe the lives of performers and composers, as well as the autobiographies of Bach's contemporaries. These narratives represent musicians variously as picaresque outcasts, honourable craft-workers, foolish bunglers and respected virtuosos. They probe the lives of musicians considered taboo or aberrant in the period, such as street entertainers and Italian castratos. The novels and autobiographies also reveal two major debates that shaped the mindset and social identity of musicians: was music a sensual or rational craft, and should musicians integrate within society or be regarded as outsiders? Quoting from an array of little-known novels, this book shows how an interdisciplinary approach can transform our understanding of Bach and his contemporaries.
Read more- Exposes the debates shaping the social status of musicians in Bach's Germany, helping readers to understand why musicians were so controversial in the period
- Illuminates the lives of low-status musicians such as travelling fiddlers, giving readers a more rounded picture of musical life at this time
- Includes many translated excerpts from novels and autobiographies, introducing readers to these colourful, gripping and previously inaccessible texts about musicians' lives
Reviews & endorsements
"Stephen Rose has taken it upon himself in this extraordinary book to ponder and report on some two dozen (for most modern tastes unreadable) German novels from the seventeenth century, works that describe, in often hilarious, often poignant detail, the musician’s life and world at the time. He does this in the service of a larger purpose … Rose maintains early on that 'to grasp how the lives of musicians such as Bach were embedded in the culture and society of their time, a broader range of texts must be investigated'; namely, the literary traditions he then diligently surveys. [He] suggests that many Bach anecdotes, and even some of Bach’s own statements, reflect those traditions. His conjectures are refreshingly bold and provocative and, often enough, plausible … This remarkable volume is replete with fascinating information and thought-provoking ideas."
Early Music America MagazineSee more reviews"A well-presented, lively account of the social position of music and musicians in the later seventeenth century." Modern Language Review
"Rose uncovers the frequently subversive and always compelling rhetorical energy of storytelling by and about German musicians, making their texts accessible and appealing … [He] has made these virtually forgotten novels engaging and instructive. His central questions should influence scholarship on aesthetics in general and on the relationship between sound and text in particular. Perhaps most tellingly, the reader finishes this well-written volume with the strong desire to read the novels Rose discusses." German Quarterly
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×Product details
- Date Published: March 2011
- format: Hardback
- isbn: 9781107004283
- length: 248 pages
- dimensions: 244 x 170 x 16 mm
- weight: 0.66kg
- contains: 6 b/w illus. 4 music examples
- availability: Available
Table of Contents
Introduction
1. Literary contexts: the German Baroque novel
2. The musician as picaresque outcast
3. The musician as honourable craftsman
4. Musical fools versus virtuosos
5. From harmony to discord
6. The first German autobiographies of musicians
Bibliography.
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