French Theatre in the Neo-classical Era, 1550–1789
$103.00 (R)
Part of Theatre in Europe: A Documentary History
- Editor: William D. Howarth, University of Bristol
- Date Published: June 2009
- availability: Available
- format: Paperback
- isbn: 9780521100878
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103.00
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Paperback
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This volume covers the period that saw the establishment in France of a centralized official theater--not only the Comédie-Française, but an Italian theater and a state Opera; the often subversive independent theaters are also discussed. Nearly 1000 documents are, for the most part, newly translated and many are published for the first time. Over 120 pictorial documents provide a visual dimension where relevant. A copious bibliography helps to make this an important reference work and a valuable research tool.
Read more- The first book to bring together documents in this era of theatre history
- Contains rare and valuable photographs
- Offers the first translation into English of many relevant documents
Reviews & endorsements
"This book is undoubtedly a useful tool for anyone dealing with studies of French theatre." Tjene Tedeschi, Sixteenth Century Journal
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×Product details
- Date Published: June 2009
- format: Paperback
- isbn: 9780521100878
- length: 764 pages
- dimensions: 229 x 152 x 39 mm
- weight: 1.01kg
- contains: 129 b/w illus.
- availability: Available
Table of Contents
List of documents
General editors' preface
Editor's preface
Historical references and glossary
Abbreviations
Introduction
Part I. 1550–1630 Christopher Smith:
1. Documents of control
2. Humanist drama
3. Theatre in Paris
4. Theatre in the provinces
5. Theatre at court
Part II. 1630–80 Edward Forman, Michael O'Regan and William D. Howarth:
6. Documents of control
7. Playhouses and companies
8. Actors and acting
9. Mise-en-scène and costume
10. Audiences
11. Authors and their critics
Part III. 1680–1715 Jan Clarke
12. Documents of control
13. Company documents
14. Playhouses
15. The play in rehearsal and performance
16. Audiences
17. Provincial and amateur theatre
18. The morality debate
Part IV. 1715–91 John Golder and William D. Howarth:
19. Documents of control
20. Company administration
21. Theatre architecture
22. Stage presentation
23. Actors and acting
24. Audiences, critics and the eighteenth-century repertoire
25. Censorship and the morality debate
26. Independent, provincial and private theatres
27. Actors and authors
the end of the ancien régime
Bibliography.
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