Reading Roman Comedy
Poetics and Playfulness in Plautus and Terence
$49.99 ( ) USD
Part of The W. B. Stanford Memorial Lectures
- Author: Alison Sharrock, University of Manchester
- Date Published: November 2009
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
- format: Adobe eBook Reader
- isbn: 9780511630217
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For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
Read more- Provides a new approach to Roman comedy, in which texts are treated and celebrated as literary devices
- Applies to Roman comedy the critical techniques more usually used with the Latin poetry of later periods
- Covers all the extant plays of Plautus and Terence
Reviews & endorsements
"...consistently illuminating. ...this study will be accessible to any reader with a strong interest in the subtleties of Roman comedy." --Choice
See more reviews"If this book helps to open the eyes of non-specialists to the richness of Roman comedy, it will have performed a great service." --Phoenix
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×Product details
- Date Published: November 2009
- format: Adobe eBook Reader
- isbn: 9780511630217
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
Table of Contents
1. Art and artifice
2. Beginnings
3. Plotting and playwrights
4. Repeat performance
5. Endings.
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