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Rumour and Renown
Representations of Fama in Western Literature

$207.00 (C)

Part of Cambridge Classical Studies

Author: Philip Hardie, Trinity College, Cambridge

Date Published: March 2012
availability: Available
format: Hardback
isbn: 9780521620888

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$ 207.00 (C)
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About the Authors

The Latin word fama means 'rumour', 'report', 'tradition', as well as modern English 'fame' or 'renown'. This magisterial and groundbreaking study in the literary and cultural history of rumour and renown, by one of the most influential living critics of Latin poetry, examines the intricate dynamics of their representations from Homer to Alexander Pope, with a focus on the power struggles played out within attempts to control the word, both spoken and written. Central are the personifications of Fama in Virgil and Ovid and the rich progeny spawned by them, but the book focuses on a wide range of genres other than epic, and on a variety of modes of narrating, dramatising, critiquing, and illustrating fama. Authors given detailed readings include Livy, Tacitus, Petrarch, Chaucer, Spenser, Shakespeare, Ben Jonson and Milton.
- Magisterial survey of literary treatments of rumour and renown from Homer to the eighteenth century by one of the most influential Latinists alive today
- Shows how some central ancient texts inform the works of central post-classical authors
- All passages in foreign languages in the main text are translated, thereby making the book accessible to all students of literature
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Reviews & endorsements
"… [a] magnum opus, a magisterial work of learning that aims to offer a comprehensive picture of the ever-changing Fama, the personified Rumor, from its Greek origins through Virgil, Ovid, and beyond … Without exaggeration, this is a must-read book, and what I hope to offer here is but a glimpse of its rich, stimulating, and highly rewarding contents … Beyond doubt, this volume is the result of many years of research; the production is handsome and flawless. It has already taken a special place on my bookshelf, and as I am sure, on the shelves of many readers and students of Latin literature and its reception."
Antony Augoustakis, Bryn Mawr Classical Review
"… monumental …"
Niklas Holzberg, Classical World
"This monumental tome does more than merely distil and deliver insights into the workings of Fama; it takes the reader on a gripping journey through the highways and byways of her literary (and eventually artistic) representation."
Jane Heath, The Expository Times
"Impressive for the breadth of its coverage of so many authors and works across so many literary epochs, this study of representations of Fama in the Western tradition nevertheless combines that vastness of scale with Hardie’s characteristic acuity as a close reader of text (text that extends in this case far beyond the Greco-Roman canon). The book is also beautifully produced, with ample margins, thirty-seven illustrations, thirty-six pages of bibliography and thorough indices of passages discussed and of general subjects."
Gareth Williams, The Journal of Roman Studies
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Product details
- Date Published: March 2012
- format: Hardback
- isbn: 9780521620888
- length: 706 pages
- dimensions: 253 x 185 x 38 mm
- weight: 1.54kg
- contains: 37 b/w illus.
- availability: Available
Table of Contents
1. Introduction
2. Hesiod and Homer: Virgilian beginnings
3. Virgil's Fama
4. Fame and defamation in the Aeneid
5. Ovid: Metamorphoses
6. Later epic: Lucan, Statius, Valerius Flaccus, Nonnus
7. Roman historiography I: Livy
8. Roman historiography II: Tacitus
9. Fama and Amor
10. Fame and blame: Spenser
11. Christian conversions of Fama
12. Petrarch: Trionfi, Africa
13. Fama and power in early modern England: Shakespeare, Ben Jonson
14. Milton: Samson Agonistes
15. Plots of fame: Chaucer, Alexander Pope
16. Visual representations of Fama.
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Author
Philip Hardie, Trinity College, Cambridge
Philip Hardie is a Senior Research Fellow at Trinity College, Cambridge, and Honorary Professor of Latin Literature in the University of Cambridge. He is one of the leading critics of Latin literature, with strong interests in the reception of classical literature, and is the author of Virgil's Aeneid: Cosmos and Imperium (1986), The Epic Successors of Virgil (1993), Ovid's Poetics of Illusion (2002) and Lucretian Receptions (2009), the editor of The Cambridge Companion to Ovid (2002) and co-editor of The Cambridge Companion to Lucretius (2007). He is currently co-editing the Renaissance volume of The Oxford History of Classical Reception in English Literature. He is a Fellow of the British Academy.