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The Cambridge Companion to Debussy

The Cambridge Companion to Debussy

£26.99

Part of Cambridge Companions to Music

Simon Trezise, Robert Orledge, Barbara L. Kelly, Deirdre Donnellon, David Grayson, Roger Nichols, Nigel Simeone, Julie McQuinn, Caroline Potter, Boyd Pomeroy, Mark DeVoto, Richard S. Parks, Charles Timbrell, Arnold Whittall
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  • Date Published: June 2003
  • availability: Available
  • format: Paperback
  • isbn: 9780521654784

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About the Authors
  • Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.

    • A comprehensive view of the composer and his work
    • Contains insights into the man and his musical techniques
    • An accessible book for students and music lovers
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    Reviews & endorsements

    'The volume contains some illuminating information on Debussy. The volume also brings forward the rich resource of Debussy's critical writings. … contains all the material for an alternative approach to Debussy research.' Nineteenth-Century Music Review

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    Product details

    • Date Published: June 2003
    • format: Paperback
    • isbn: 9780521654784
    • length: 348 pages
    • dimensions: 243 x 169 x 16 mm
    • weight: 0.553kg
    • contains: 48 music examples
    • availability: Available
  • Table of Contents

    List of contributors
    Acknowledgements
    Chronology of Debussy's life and works
    Note on the text
    Introduction Simon Trezise
    Part I. Man, Musician and Culture:
    1. Debussy the man Robert Orledge
    2. Debussy's Parisian affiliations Barbara L. Kelly
    3. Debussy as musician and critic Deirdre Donnellon
    Part II. Musical Explorations:
    4. Debussy on stage David Grayson
    5. The prosaic Debussy Roger Nichols
    6. Debussy and expression Nigel Simeone
    7. Exploring the erotic in Debussy's music Julie McQuinn
    8. Debussy and nature Caroline Potter
    Part III. Musical Techniques:
    9. Debussy's tonality: a formal perspective Boyd Pomeroy
    10. The Debussy sound: colour, texture, gesture Mark DeVoto
    11. Music's inner dance: form, pacing and complexity in Debussy's music Richard S. Parks
    12. Debussy's 'rhythmicised time' Simon Trezise
    Part IV. Performance and Assessment:
    13. Debussy in performance Charles Timbrell
    14. Debussy now Arnold Whittall
    Notes
    Select bibliography
    Index.

  • Editor

    Simon Trezise, Trinity College, Dublin
    Simon Trezise is a Lecturer in Music at Trinity College, Dublin. He is the author of Debussy : La mer in the series Cambridge Music Handbooks and has written widely on French music and also on Schoenberg.

    Contributors

    Simon Trezise, Robert Orledge, Barbara L. Kelly, Deirdre Donnellon, David Grayson, Roger Nichols, Nigel Simeone, Julie McQuinn, Caroline Potter, Boyd Pomeroy, Mark DeVoto, Richard S. Parks, Charles Timbrell, Arnold Whittall

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