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Visual Culture and Arctic Voyages

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Part of Cambridge Studies in Nineteenth-Century Literature and Culture

  • Date Published: September 2024
  • availability: Available
  • format: Paperback
  • isbn: 9781108994897

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  • In the mid-nineteenth century, thirty-six expeditions set out for the Northwest Passage in search of Sir John Franklin's missing expedition. The array of visual and textual material produced on these voyages was to have a profound impact on the idea of the Arctic in the Victorian imaginary. Eavan O'Dochartaigh closely examines neglected archival sources to show how pictures created in the Arctic fed into a metropolitan view transmitted through engravings, lithographs, and panoramas. Although the metropolitan Arctic revolved around a fulcrum of heroism, terror and the sublime, the visual culture of the ship reveals a more complicated narrative that included cross-dressing, theatricals, dressmaking, and dances with local communities. O'Dochartaigh's investigation into the nature of the on-board visual culture of the nineteenth-century Arctic presents a compelling challenge to the 'man-versus-nature' trope that still reverberates in polar imaginaries today. This title is also available as Open Access on Cambridge Core.

    • Provides a new model for interdisciplinary use of documentary art and archives, examining little-known material and drawing attention to the importance of collections for research
    • Offers thorough yet accessible readings of archival material, giving valuable insight not only for academic readers across multiple disciplines but also for interested non-academic readers
    • Brings together visual, literary, and geographical ways of seeing the historical Arctic, providing a broader historical picture of Arctic exploration and suggesting new avenues for further research
    • This book is also available as Open Access
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    Product details

    • Date Published: September 2024
    • format: Paperback
    • isbn: 9781108994897
    • length: 292 pages
    • dimensions: 229 x 152 mm
    • weight: 0.397kg
    • availability: Available
  • Table of Contents

    1. 'On the Spot:' Scientific and personal visual records (1848-1854)
    2. 'Breathing Time:' On-Board production of illustrated periodicals (1850-1854)
    3. 'These Dread Shores:' Visualizing the Arctic for readers (1850-1860)
    4. 'Never to be Forgotten:' Presenting the Arctic panorama (1850)
    5. 'Power and Truth:' The authority of lithography (1850-1855)
    6. Conclusion: Resonances.

  • Author

    Eavan O'Dochartaigh, National University of Ireland, Galway
    Eavan O'Dochartaigh is a Government of Ireland Postdoctoral Fellow at National University of Ireland Galway. Prior to this she was a Marie Skłodowska-Curie Individual Fellow at Umeå University in northern Sweden and a Government of Ireland Doctoral Scholar at National University of Ireland Galway. She has also worked as an archaeologist and archaeological illustrator in Ireland, Iceland, and the UK.

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