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The Cambridge Companion to Rhythm

Part of Cambridge Companions to Music

Russell Hartenberger, Ryan McClelland, Daniel Cameron, Jessica Grahn, Alan Dodson, Steven Schick, David Robertson, Harald Krebs, Gretchen Horlacher, Adam Sliwinski, Matthew W. Butterfield, Trevor de Clercq, Mitchell Ohriner, David Locke, James Kippen, Leslie Tilley, Peter Manuel, Kristina F. Nielsen, Nick Collins.
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  • Date Published: September 2020
  • availability: Available
  • format: Paperback
  • isbn: 9781108730129

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About the Authors
  • One of the defining aspects of music is that it exists in time. From clapping to dancing, toe-tapping to head-nodding, the responses of musicians and listeners alike capture the immediacy and significance of the musical beat. This Companion explores the richness of musical time through a variety of perspectives, surveying influential writings on the topic, incorporating the perspectives of listeners, analysts, composers, and performers, and considering the subject across a range of genres and cultures. It includes chapters on music perception, visualizing rhythmic notation, composers' writings on rhythm, rhythm in jazz, rock, and hip-hop. Taking a global approach, chapters also explore rhythmic styles in the music of India, Africa, Bali, Latin America and the Caribbean, and Indigenous music of North and South America. Readers will gain an understanding of musicians' approaches to performing complex rhythms of contemporary music, and revealing insights into the likely future of rhythm in music.

    • Provides an overview of the use of rhythm in Western and non-Western music for a wider understanding of how rhythm functions in different musical contexts
    • Examines rhythm in many forms of contemporary genres including jazz, hip hop, rock, and classical music and provides practical tips on performing music of all kinds
    • Explores the increasing significance of rhythm in all kinds of music and how this importance is likely to develop in future
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    Reviews & endorsements

    'The importance of this collection for music scholarship lies not only in the subject matter - rhythm has long been ignored by traditional music studies - but in the fact that fully half the volume is devoted to music other than the Western European classical canon … Summing Up: Recommended. Upper-division undergraduates through faculty; professionals.' M. Dineen, Choice

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    Product details

    • Date Published: September 2020
    • format: Paperback
    • isbn: 9781108730129
    • length: 366 pages
    • dimensions: 243 x 169 x 18 mm
    • weight: 0.7kg
    • contains: 20 b/w illus. 24 tables 76 music examples
    • availability: Available
  • Table of Contents

    Introduction Russell Hartenberger and Ryan McClelland
    I. Overview of rhythm:
    1. Rhythm in Western music: Concepts and literature Ryan McClelland
    2. Perception of rhythm Daniel Cameron and Jessica Grahn
    II. Performing rhythm:
    3. Visualizing the rhythms of performance Alan Dodson
    4. A percussionist understands rhythm Steven Schick
    5. A different kind of virtuosity Russell Hartenberger
    6. Conducting rhythm David Robertson
    III. Composing with rhythm:
    7. Expressive rhythm and meter in the German Lied Harald Krebs
    8. Rhythm in post-tonal music: a modernist primer Gretchen Horlacher
    9. The concept of rhythm: composers in their own words Adam Sliwinski
    IV. Rhythm in jazz and popular music:
    10. Jazz rhythm: the challenge of “swing” Matthew W. Butterfield
    11. Rhythmic influence in the rock revolution Trevor de Clercq
    12. Rhythm in contemporary rap music Mitchell Ohriner
    V. Rhythm in global musics:
    13. The musical rhythm of Agbadza songs David Locke
    14. Rhythmic thought and practice in the Indian subcontinent James Kippen
    15. The draw of Balinese rhythm Leslie Tilley
    16. Rhythmic structures in Latin American and Caribbean music Peter Manuel
    17. Indigenous rhythm and dance in North and South America Kristina F. Nielsen
    VI. Epilogue:
    18. The future of rhythm Nick Collins
    Select bibliography
    Index.

  • Editors

    Russell Hartenberger, University of Toronto
    Russell Hartenberger is a percussionist with both Nexus and Steve Reich and Musicians. He is Emeritus Professor at the University of Toronto, author of Performance Practice in the Music of Steve Reich, editor of The Cambridge Companion to Percussion, and composer of numerous works for percussion.

    Ryan McClelland, University of Toronto
    Ryan McClelland is Professor of Music Theory at the University of Toronto. His research interests include rhythmic-metric theory, Schenkerian analysis, and performance studies. In addition to articles on these topics in journals including Music Analysis and Music Theory Spectrum, he has published a book on the scherzos of Johannes Brahms.

    Contributors

    Russell Hartenberger, Ryan McClelland, Daniel Cameron, Jessica Grahn, Alan Dodson, Steven Schick, David Robertson, Harald Krebs, Gretchen Horlacher, Adam Sliwinski, Matthew W. Butterfield, Trevor de Clercq, Mitchell Ohriner, David Locke, James Kippen, Leslie Tilley, Peter Manuel, Kristina F. Nielsen, Nick Collins.

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