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Look Inside Wagner and Russia

Wagner and Russia

Part of Cambridge Studies in Russian Literature

  • Date Published: May 2007
  • availability: Available
  • format: Paperback
  • isbn: 9780521035828

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About the Authors
  • Wagner is often held to have exerted a greater impact on modern culture than any other artist, yet the history of the reception of his works in Russia has remained largely unexplored. This book, which draws extensively on unpublished archival materials and other contemporary sources, aims to show that in certain important respects, Wagner's music and ideas found more fertile ground in Russia than anywhere else in Europe. Beginning with the first mention of Wagner's name in the Russian press in 1841, and ending almost 150 years later when the composer was finally rehabilitated during the years of glasnost, this study provides a detailed account of Wagner's visit to Russia in 1863, and a history of the productions of his works in Russia. The book pays special attention to Wagner's important influence on the Russian modernist movement, focusing particularly on his impact on the leading Symbolist writers, Vyacheslav Ivanov, Andrey Bely and Aleksandr Blok.

    • A thorough study of Wagner's immense influence on Russian writers, musicians and artists, covering 150 years (1841–1991)
    • Contains a history of Wagner productions in Russia and the Soviet Union, based on and illustrated with unpublished archival material
    • Contains material on Wagner's biography, the phenomenon of Wagnerism
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    Reviews & endorsements

    'Impressive … well-researched survey of the impact of Wagner in Russia.' BBC Music Magazine

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    Product details

    • Date Published: May 2007
    • format: Paperback
    • isbn: 9780521035828
    • length: 436 pages
    • dimensions: 215 x 140 x 24 mm
    • weight: 0.566kg
    • contains: 27 b/w illus. 10 colour illus.
    • availability: Available
  • Table of Contents

    List of illustrations
    Acknowledgements
    Notes on the text
    List of abbreviations
    Introduction
    Part I. Wagner and Nineteenth-Century Russia:
    1. Reception and performance history, 1841–1863
    2. Reception and performance history, 1863–1890
    Part II. Wagner and Russian Modernism:
    3. Reception and performance history, 1890–1917
    4. Wagner and the Russian Symbolists: Vyacheslav Ivanov
    5. Wagner and the Russian Symbolists: Bely, Medtner and Ellis
    6. Wagner and the Russian Symbolists: Aleksandr Blok
    Part III. Wagner and Soviet Russia:
    7. Reception and performance history, 1917–1941
    8. Reception and performance history, 1941–1991
    Appendices
    Notes
    Select bibliography
    Index.

  • Author

    Rosamund Bartlett, University of Michigan, Ann Arbor

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