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Comparative Criticism

Comparative Criticism

Volume 24. Fantastic Currencies in Comparative Literature: Gothic to Postmodern

Part of Comparative Criticism

Gillian Beer, Margaret Anne Doody, A. D. Nuttall, Nina Taylor-Terlecki, Dominique Triaire, Sbigniew Bialas, Neil Cornwell, Yves Citton, Ian Christie, Anne Guérin-Castell, Charlotte Patterson, Paul Coates, Fan-Fan Chen, Agneta Pleijel, Circe Maia, Charlie Louth, Silvester Mazzarella, Brian Cole, Patricia Merivale, Andrea Brady, François Rosset, Kay McKechnie
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  • Date Published: February 2003
  • availability: Available
  • format: Hardback
  • isbn: 9780521818698

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  • Comparative Criticism addresses itself to questions of literary theory and criticism. This new volume looks at Fantastic Currencies: money, modes, media, and contributions include: Credit Limit: Fiction and the surplus of belief; In Possession: person, money and exchange from 'Daphnis and Chloe' to 'Roger Ackroyd'; Christopher Marlowe: Iron and Gold; Jan Potocki and His Polish Milieu: the cultural context; The comic effect in The Manuscript found at Saragossa; Fabula interrupta; The European Tradition of the 'Nights': Jan Potocki and Odoevski's Russian Nights; The Saragossa Manuscript and European Film of the 1960s; Dialectics of Enlightenment: Notes on Has's Manuscript found at Saragossa; Archetype and Aesthetics of the Fantastic: The Narrative Form in Chinese and French Fiction. There is also a Bibliography of Jan Potocki and an invaluable Index to volumes 1–24 of Comparative Criticism. The winning entries in the 2001 BCLA/BCLT translation competition are also published.

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    Product details

    • Date Published: February 2003
    • format: Hardback
    • isbn: 9780521818698
    • length: 396 pages
    • dimensions: 235 x 160 x 26 mm
    • weight: 0.656kg
    • contains: 5 b/w illus.
    • availability: Available
  • Table of Contents

    Part I. Fantastic Currencies: money, modes, media. Credit Limit: Fiction and the surplus of belief Gillian Beer
    In Possession: person, money and exchange from 'Daphnis and Chloe' to 'Roger Ackroyd' Margaret Anne Doody
    Christopher Marlowe: Iron and Gold A. D. Nuttall
    Part II. Literature and Translation: Jan Potocki and The Manuscript found at Saragossa: Novel and Film. Jan Potocki and His Polish Milieu: the cultural context Nina Taylor-Terlecki
    The comic effect in The Manuscript found at Saragossa Translated from the French by Charlotte Pattison Dominique Triaire
    Fabula interrupta Sbigniew Bialas
    The European Tradition of the 'Nights': Jan Potocki and Odoevski's Russian Nights Neil Cornwell
    Potocki and the Spectre of the Postmodern Yves Citton
    The Saragossa Manuscript and European Film of the 1960s Ian Christie
    A film saved from the claws of censorship. With a Bio-Filmography of Wojciech Jerzy Has. Translated from the French by Charlotte Pattison Anne Guérin-Castell
    Dialectics of Enlightenment: Notes on Has's Manuscript found at Saragossa Paul Coates
    Archetype and Aesthetics of the Fantastic: The Narrative Form in Chinese and French Fiction Fan-Fan Chen
    Translation. The Style of the Holy Spirit: Johann Jacob Junckherrott's Translation of the New Testament (1732) Charlie Louth. BCLA/BCLT Translation Prizes 2001. First Prize 'Lord Nevermore' a chapter from a novel. Translated from the Swedish by Silvester Mazzarella Agneta Pleijel
    Second Prize 'Selected Poems'. Translated from the Spanish by Brian Cole Circe Maia
    Part III. Essay Reviews: The Crime Scene Patricia Merivale
    Books and periodicals received compiled by Andrea Brady
    Bibliography of Jan Potocki compiled by François Rosset
    Index to Comparative Criticism volumes 1-24 complied by Kay McKechnie.

  • Editor

    E. S. Shaffer, University of London

    Contributors

    Gillian Beer, Margaret Anne Doody, A. D. Nuttall, Nina Taylor-Terlecki, Dominique Triaire, Sbigniew Bialas, Neil Cornwell, Yves Citton, Ian Christie, Anne Guérin-Castell, Charlotte Patterson, Paul Coates, Fan-Fan Chen, Agneta Pleijel, Circe Maia, Charlie Louth, Silvester Mazzarella, Brian Cole, Patricia Merivale, Andrea Brady, François Rosset, Kay McKechnie

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