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Look Inside Shakespeare Survey 76

Shakespeare Survey 76
Digital and Virtual Shakespeare

Part of Shakespeare Survey

Editor: Emma Smith, University of Oxford

David McInnis, John Wyver, Michael Dobson and Mark Quartley, Erin Sullivan, Benjamin Broadribb, Peter J. Smith, Peter Holland, Emily Louisa Smith, Robert Stagg, Silvia Bigliazzi, Reiko Oya, Jessica Chiba, Sean Benson, Louise Geddes, Ceri Sullivan, Duncan Salkeld, Hanh Bui, Peter Kirwan, Lois Potter, James Shaw

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Date Published: September 2023
availability: Temporarily unavailable - available from TBC
format: Hardback
isbn: 9781009392785

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Description

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About the Authors

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 76 is 'Digital and Virtual Shakespeare'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/publications/collections/cambridge-shakespeare. This searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
- The 76th in the annual series of volumes devoted to Shakespeare study and production
- The lively theme of Digital and Virtual Shakespeare occupies most of the articles in this issue
- A substantial review section covers books published on Shakespeare during 2022 and productions throughout the UK
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Product details
- Date Published: September 2023
- format: Hardback
- isbn: 9781009392785
- length: 320 pages
- dimensions: 253 x 196 x 19 mm
- weight: 0.74kg
- availability: Temporarily unavailable - available from TBC
Table of Contents
1. All early modern drama is virtual to us David McInnis
2. RSC live from stratford-upon-avon: ten things I think I know or, of course we're making a movie John Wyver
3. Digital ariel: an interview with Mark quartley Michael Dobson and Mark Quartley
4. Staging digital co-presence: Punchdrunk's hybrid sleep no more (2012) and pandemic-informed pedagogies Erin Sullivan
5. Very tragical mirth': performing a midsummer night's dream on screen(s) during lockdown Benjamin Broadribb
6. Uneasy lies the head: Michael Almereyda's halloween cymbeline Peter J. Smith
7. When is king lear not king lear? Peter Holland
8. Sim-ulating Shakespeare: from stage to computer screen Emily Louisa Smith
9. Meter in the middle distance Robert Stagg
10. What's in a 'Quire'? vicissitudes of the virtual in Shakespeare's Julius caesar and romeo and juliet Silvia Bigliazzi
11. And which the Jew?': representations of Shylock in meiji Japan (1868-1912) Reiko Oya
12. Hamlet, translation and the cultural conditions of thought Jessica Chiba
13. The Pietas of dogberry Sean Benson
14. Taylor Mac's Gary and Queer Failure in Titus Andronicus Louise Geddes
15. I would cure you': self-help advice on love in Sidney and Shakespeare Ceri Sullivan
16. Shakespeare in Arden: pragmatic markers and parallels Duncan Salkeld
17. Sycorax's hoop Hanh Bui
18. Shakespeare performances in England 2022: outside London Peter Kirwan
19. Shakespeare performances in England 2022: London Lois Potter
20. Professional Shakespeare productions in the British isles, January-December 2021 James Shaw
21. The year's contribution to Shakespeare Studies:
1. Critical Studies reviewed by Ezra Horbury, 2. Performance reviewed by Miranda Fay Thomas, 3. Editions and textual studies reviewed by Emma Depledge.
Look Inside
Editor
Emma Smith, University of Oxford
Emma Smith is Professor of Shakespeare Studies at Hertford College, Oxford. Her work focuses on the reception of Shakespeare in print, performance, and criticism, and she has written for students, enthusiasts, theatregoers and scholars. For undergraduate readers she wrote The Cambridge Introduction to Shakespeare (Cambridge, 2007) and The Cambridge Shakespeare Guide (Cambridge, 2012). Her work on the First Folio includes The Making of the First Folio (Bodleian Library, 2016, 2nd edition forthcoming 2023) and Shakespeare's First Folio: Four Centuries of an Iconic Book (Oxford, 2016, 2nd edition forthcoming 2023). Her books This Is Shakespeare (Penguin, 2019) and Portable Magic: A History of Books and their Readers (Penguin 2022) draw on research to address a wider readership. Her current work includes editing Twelfth Night and Nashe's Summers Last Will and Testament, and working with Laurie Maguire on ideas of dramatic collaboration.
Contributors
David McInnis, John Wyver, Michael Dobson and Mark Quartley, Erin Sullivan, Benjamin Broadribb, Peter J. Smith, Peter Holland, Emily Louisa Smith, Robert Stagg, Silvia Bigliazzi, Reiko Oya, Jessica Chiba, Sean Benson, Louise Geddes, Ceri Sullivan, Duncan Salkeld, Hanh Bui, Peter Kirwan, Lois Potter, James Shaw