Musical Performance
A Guide to Understanding
- Editor: John Rink, University of Cambridge
- Date Published: December 2002
- availability: Available
- format: Paperback
- isbn: 9780521788625
Paperback
-
This accessible guide for students, teachers and performers at all levels unravels the complexities of musical performance and focuses on key aspects of learning, playing and responding to music. A survey of performance through the ages leads to a presentation of basic historical, analytical and psychological concepts. Four chapters follow on teaching, development, practice and memorisation. The next section considers the 'translation' from score to sound, physical projection, ensemble playing and performance anxiety. The final section addresses the act of listening, the legacy of recordings, music criticism and 'performers on performance'.
Read more- This is the most wide-ranging accessible guide to musical performance
- It is fully comprehensive in its approach to Western 'classical' music
- Covers both practical and academic aspects of musical performance
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: December 2002
- format: Paperback
- isbn: 9780521788625
- length: 260 pages
- dimensions: 244 x 170 x 14 mm
- weight: 0.539kg
- contains: 20 music examples
- availability: Available
Table of Contents
Introduction John Rink
Part I. Conceptions and Preconceptions:
1. Performing through history Colin Lawson
2. Historical performance and the modern performer Peter Walls
3. Analysis and (or?) performance John Rink
4. Understanding the psychology of performance Eric Clarke
Part II. Learning to Perform:
5. On teaching performance Janet Ritterman
6. Developing the ability to perform Jane Davidson
7. Preparing for performance Stefan Reid
8. Memorising music Aaron Williamon
Part III. Making Music:
9. From score to sound Peter Hill
10. Communicating with the body in performance Jane Davidson
11. Ensemble performance Elaine Goodman
12. The fear of performance Elizabeth Valentine
Part IV. Interpreting Performance:
13. Listening to performance Eric Clarke
14. The legacy of recordings Peter Johnson
15. The criticism of musical performance Raymond Monelle
16. Performers on performance Jonathan Dunsby.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email [email protected]
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×