Cambridge Studies in Anglo-Saxon England
34 Volume Paperback Set

Table of Contents

1: The Cult of the Virgin Mary in Anglo-Saxon England 2: Religion and Literature in Western England, 600-800 3: Heathen Gods in Old English Literature 4: The Intellectual Foundations of the English Benedictine Reform 5: Paradise, Death and Doomsday in Anglo-Saxon Literature 6: Representations of the Natural World in Old English Poetry 7: Trinity and Incarnation in Anglo-Saxon Art and Thought 8: Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century 9: The Apocryphal Gospels of Mary in Anglo-Saxon England 10: The Metrical Grammar of Beowulf 11: Anglo-Saxon Medicine 12: The Text of the Old Testament in Anglo-Saxon England 13: Images of Community in Old English Poetry 14: Archbishop Theodore 15: The Irish Tradition in Old English Literature 16: The Old English Lives of St. Margaret 17: Visible Song 18: The Textuality of Old English Poetry 19: The Poetic Art of Aldhelm 20: Anglo-Saxon Gestures and the Roman Stage 21: Rewriting Old English in the Twelfth Century 22: Interactions of Thought and Language in Old English Poetry 23: Ælfric's Letter to the Monks of Eynsham 24: The Composition of Old English Poetry 25: The Hymns of the Anglo-Saxon Church 26: Old English Biblical Verse 27: Biblical Commentaries from the Canterbury School of Theodore and Hadrian 28: Two Old English Apocrypha and their Manuscript Source 29: The 'Laterculus Malalianus' and the School of Archbishop Theodore 30: Anglo-Saxon Perceptions of the Islamic World 31: Text and Picture in Anglo-Saxon England 32: Aelfric and the Cult of Saints in Late Anglo-Saxon England 33: Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival 34: Beowulf and Old Germanic Metre