Literary Copyright Reform in Early Victorian England
The Framing of the 1842 Copyright Act
$45.99 (C)
Part of Cambridge Studies in English Legal History
- Author: Catherine Seville, University of Cambridge
- Date Published: March 2011
- availability: Available
- format: Paperback
- isbn: 9780521174503
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Talfourd's Copyright Bill was first presented in 1837, and the public and Parliamentary controversy it provoked is reflected in contemporary pamphlets, correspondence, and hundreds of petitions presented to Parliament, as well as in the changing aims of the Bill. This book explores and sets in context the making of the Copyright Act of 1842, using it to illuminate enduring issues and difficulties in the legal concept of intellectual property. A unique feature for legal historians is Appendix II in which Dr. Seville traces the progress of eleven versions of the Bill.
Read more- Was the first account of the making of the 1842 Copyright Act
- Sets the act in its legal and historical context, with particular relation to the contemporary radical political agenda
- Offers thorough-going analysis of the many bills from 1837 onwards which formed the bases of the act
Awards
- Winner of the Yorke Prize
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×Product details
- Date Published: March 2011
- format: Paperback
- isbn: 9780521174503
- length: 314 pages
- dimensions: 216 x 140 x 18 mm
- weight: 0.4kg
- availability: Available
Table of Contents
1. Introduction: the 1842 Act - passage and position
Copyright - its nature and history
Talfourd and his aims
Conflicting rationales
2. Petitions and copyright: Petitioning - parliamentary history and background
Petitions
forms and formalities
Petitions
volume and subjects
3. Critics in Parliament: The Radical nexus
Political cross-currents
Brougham
Macaulay
4. Critics in the book trade I: print workers and their allies: Printers
Master Printers
Journeymen
Compositors
Pressmen
Machinemen
The dispute spreads - journeymen 1839–40
The process of diffusion
Associated trades
Bookbinders
Papermakers
Other print-related specialisms
Supporters of cheap print
Camp followers
5. Critics in the book trade II: publishing and publishers: the book trade and authors
Cheap publications: the Society for the Diffusion of Useful Knowledge
Cheap Publications - the book trade
Co-operation and organisation
The campaign against the bills
Publisher's petitions
Other means of protest
6. The campaign in the daily press
London dailies
The Times
The Morning Chronicle
The Morning Post
Evening Papers
The Globe
The Courier
7. Authors and the beginnings of authors' organisations: Southey
Wordsworth: campaign manager
The making of the case for the bill: petitions in favour
The argument in the periodicals
9. Conclusion.
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