Liberal Lives and Activist Repertoires
Political Performance and Victorian Social Reform

‘How was the work of social and political reform performed? And how did performance change the means and outcomes of that activism? In this remarkable, carefully-wrought book, Tracy Davis turns our attention to the importance of dramaturgy to the work of nineteenth-century reform movements, illuminating how one scholar can find performance in everything from petitioning to letter-writing and parades. A terrific feat of scholarship.' Carolyn Eastman, Virginia Commonwealth University

'In her compelling new study, Tracy Davis challenges preconceptions about how early activists developed and shared their strategies, revealing networks of association and exchange that traversed the globe. This book invites readers to rethink what kinds of performances constitute activism and how historians can recover traces of those spectacles in even the most unlikely places.' Heather Nathans, Tufts University

‘Liberal Lives and Activist Repertoires explores the formation of the modern, liberal society through a broad variety of performative interactions. Political rhetoric, sermons, social conversations, and theatre are the foundation for this, made visible through Frederick Chesson’s meticulously written diaries. Following the traces of women’s and men’s private lives and commitments to form public, political personae, Tracy C. Davis unfolds a broad and colourful panorama of the emergence of activism based in England but with connections to the United States, India under British rule, and a global network. Davis sets a new, inspiring standard in thinking about political performance.’ Peter W. Marx, Institut für Medienkultur und Theater

‘Tracy Davis’ timely and urgent study of the history of liberal campaigning in the Nineteenth Century insists on returning the question of performance to the history of activism. Drawing on the performance frames of mises en scene, repertoire and dramaturgy, Davis’s excellent book reveals the performance tactics that activists deployed to make their case. This is Performance Studies at its best, revealing the theatre as a vital resource for the campaigning tactics underpinning Victorian repertoires of protest and persuasion that are still being used by activists today.’ Aoife Monks, Queen Mary University of London