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Richard Strauss in Context

$32.99 (R)

Part of Composers in Context

Morten Kristiansen, Joseph E. Jones, Chris Walton, David Larkin, Katharina Hottmann, Walter Werbeck, Ingeborg Haase, Dirk Hoffmann, Kenneth Birkin, Ryan Prendergast, Bryan Gilliam, Sebastian Bolz, Michael Saffle, Ulrich Konrad, Dietmar Schenk, Matthew Werley, Jason Geary, Charles Youmans, James Deaville, Manuela Schmidt, Jeremy Zima, Raymond Holden, Scott Warfield, Jonathan Kregor, Jürgen May, Peter Franklin, Leon Botstein, Philip Graydon, Erik Levi, Giangiorgio Satragni, Franzpeter Messmer, Andreas Pernpeintner, Stefan Schenk, Claudia Heine, Adrian Kech, Ben Winters
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  • Date Published: November 2022
  • availability: Available
  • format: Paperback
  • isbn: 9781108434461

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About the Authors
  • Richard Strauss in Context offers a distinctive approach to the study of a composer in that it places the emphasis on contextualizing topics rather than on biography and artistic output. One might say that it inverts the relationship between composer and context. Rather than studies of Strauss's librettists that discuss the texts themselves and his musical settings, for instance, this book offers essays on the writers themselves: their biographical circumstances, styles, landmark works, and broader positions in literary history. Likewise, Strauss's contributions to the concert hall are positioned within the broader development of the orchestra and trends in programmatic music. In short, readers will benefit from an elaboration of material that is either absent from or treated only briefly in existing publications. Through this supplemental and broader contextual approach, this book serves as a valuable and unique resource for students, scholars, and a general readership.

    • Readers will benefit from a variety of perspectives and approaches to contextualizing the life and works of Richard Strauss
    • Written by a team of experts, chapters focus on context rather than biography, analysis, or other traditional areas of inquiry
    • Organised around key themes which range from family, friends and collaborators, to artefacts and legacy
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    Reviews & endorsements

    ‘The essays are excellent and sure to be of interest to readers at all levels … Highly recommended.’ S. Edwards, Choice

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    Product details

    • Date Published: November 2022
    • format: Paperback
    • isbn: 9781108434461
    • length: 393 pages
    • dimensions: 228 x 151 x 21 mm
    • weight: 0.58kg
    • availability: Available
  • Table of Contents

    Preface Morten Kristiansen and Joseph E. Jones
    Part I. Family, Friends and Collaborators:
    1. Family and upbringing Chris Walton
    2. Formative influences David Larkin
    3. Pauline de Ahna Katharina Hottmann
    4. Close friends Walter Werbeck
    5. Hofmannsthal Ingeborg Haase and Dirk Hoffmann
    6. The other librettists Kenneth Birkin
    7. Stage collaborators Ryan Prendergast
    8. Champions Bryan Gilliam
    Part II. Career Stations:
    9. Munich and Garmisch Sebastian Bolz
    10. Meiningen and Weimar Michael Saffle
    11. Bayreuth Ulrich Konrad
    12. Berlin Dietmar Schenk
    13. Vienna Joseph E. Jones
    Part III. Cultural Engagement and Musical Life:
    14. Strauss as reader Matthew Werley
    15. Antiquity Jason Geary
    16. Philosophy and religion Charles Youmans
    17. Allgemeiner deutscher musikverein James Deaville
    18. Genossenschaft deutscher tonsetzer Manuela Schmidt
    Part IV. Professional and Musical Contexts:
    19. The composer Jeremy Zima
    20. The conductor Raymond Holden
    21. The orchestra Scott Warfield
    22. Program music Jonathan Kregor
    23. Post-wagnerian opera Morten Kristiansen
    24. The lied Jürgen May
    Part V. In History:
    25. Modernism Peter Franklin
    26. Traditionalism Leon Botstein
    27. World War I Philip Graydon
    28. Nazi Germany Erik Levi
    29. Lateness Giangiorgio Satragni
    30. Reception Franzpeter Messmer
    Part VI. Artifacts and Legacy:
    31. Publishers and editions Andreas Pernpeintner and Stefan Schenk
    32. Letters Claudia Heine and Adrian Kech
    33. In performance Raymond Holden
    34. Influence Ben Winters
    35. 2001: A space odyssey and beyond Charles Youmans
    36. Scholarly directions Matthew Werley
    Index.

  • Editors

    Morten Kristiansen, Xavier University, Cincinnati
    Morten Kristiansen is Associate Professor of Musicology and director of the music program at Xavier University, Cincinnati, Ohio. In addition to conference papers and journal articles on Richard Strauss and fin-de-siècle German opera, he has authored program notes for the Salzburg Festival.

    Joseph E. Jones, Texas A&M University-Kingsville
    Joseph E. Jones is Associate Professor of Music at Texas A&M University-Kingsville where he also serves as director of an annual study abroad program in Vienna. His research areas include German opera and the fin de siècle, and he is a co-editor of Genetic Criticism and the Creative Process (2009).

    Contributors

    Morten Kristiansen, Joseph E. Jones, Chris Walton, David Larkin, Katharina Hottmann, Walter Werbeck, Ingeborg Haase, Dirk Hoffmann, Kenneth Birkin, Ryan Prendergast, Bryan Gilliam, Sebastian Bolz, Michael Saffle, Ulrich Konrad, Dietmar Schenk, Matthew Werley, Jason Geary, Charles Youmans, James Deaville, Manuela Schmidt, Jeremy Zima, Raymond Holden, Scott Warfield, Jonathan Kregor, Jürgen May, Peter Franklin, Leon Botstein, Philip Graydon, Erik Levi, Giangiorgio Satragni, Franzpeter Messmer, Andreas Pernpeintner, Stefan Schenk, Claudia Heine, Adrian Kech, Ben Winters

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