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Three Modes of Perception in Mozart
The Philosophical, Pastoral, and Comic in Cosí fan tutte

$47.99 (C)

Part of Cambridge Studies in Opera

  • Date Published: January 2009
  • availability: Available
  • format: Paperback
  • isbn: 9780521099165

$ 47.99 (C)
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About the Authors
  • Cosi fan tutte is widely regarded as Mozart's most enigmatic opera with Lorenzo Da Ponte's most erudite text. Edmund Goehring presents a new perspective on the relationships between text and tone in the opera, the tension between comedy and philosophy as well as its representation in stage works, and the pastoral mode. Goehring's argument is sustained by the detailed analysis of primary sources (many of which are little known), and is richly illustrated with musical examples.

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    Product details

    • Date Published: January 2009
    • format: Paperback
    • isbn: 9780521099165
    • length: 324 pages
    • dimensions: 229 x 152 x 18 mm
    • weight: 0.47kg
    • contains: 6 tables 110 music examples
    • availability: Available
  • Table of Contents

    List of tables, Preface and acknowledgements
    A note on abbreviations
    List of abbreviations
    1. An overture to Cosi fan tutte: the poetics of the opera over two centuries
    2. The philosophical mode
    3. The pastoral mode
    4. The comic mode
    Epilogue
    Bibliography
    Index.

  • Author

    Edmund J. Goehring, University of Notre Dame, Indiana
    Edmund J. Goehring is Assistant Professor of Liberal Studies at the University of Notre Dame, Indiana. He has contributed essays to a number of volumes and has published in several journals including Cambridge Opera Journal. He is also a founding member of the Mozart Society of America.

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